Gender Autofictions in Sculptural Practices
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Abstract
This article brings together a series of writings on visual autofictions to argue that work around gender stereotypes and, consequently, processes of experimentation with identities in plastic productions can be part of this creative trend. Alterities observe themselves in a way that can sometimes bifurcate one’s own identity perception, and this is evidenced in numerous trajectories of relevant artists. Cady Noland, Tracy Emin, or Sylvie Fleury demonstrate that the term can be expanded through sculptural and installative works, which are closer to the use of implicit signifiers in materials and processes than to photographic representation.
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