Al voltant de la desaparició dels «patis de veïns» en <i>Olors</i>, de Josep M. Benet i Jornet
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Abstract
Resum: Aquest article realitza una aproximació a l’obra teatral Olors (2000), de
Josep M. Benet i Jornet, amb l’objectiu d’analitzar el text des de la consideració
de la importància que l’espai té en la seua escriptura i en el seu discurs de ficció.
Es fa una anàlisi de la construcció de l’espai ficcional, tot tenint en compte els
diferents nivells de l’espai de l’acció (macroespai, microespai, espai escenogràfic
i espais latents) i la manera com aquests són presents al text. També s’examina la relació entre la ficció i la realitat respecte de la Barcelona presentada a l’obra i les reflexions que l’autor planteja sobre les estretes vinculacions entre l’espai urbà amb la identitat dels habitants d’un barri en procés de transformació/destrucció, a partir de la memòria individual, familiar i social.
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Abstract: This article is an approach to Olors (‘smells’) (2000), a theater work
by Josep M. Benet i Jornet, with the objective of analyzing the text from the scope of the function of fictional space in his writing and in his theatrical discourse: an analysis of the construction of the spatiality, taking into account the different levels of space action (macrospace, microspace, stage’s space and latent space) and how these aspects are present in the text. It also examines the relationship between fiction and reality with respect to the image of Barcelona presented in the work, and the author’s reflections on the close links between the urban identity of the inhabitants of a neighborhood undergoing transformation / destruction, based on individual, family and social memory.
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