Who’s afraid of Caryl Churchill’s Top Girls? Marietta Rialde and ‘feminist’ theatre in translation in 1980s Greece
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Marietta Rialde, la “enfant terrible” del mundo del teatro griego (Steen 2015: 42), fue una directora de escena, actriz, dramaturga y traductora feminista. Rialde, una de las pocas mujeres en el panorama teatral griego dominado por los hombres de las décadas de 1960 y 1980, dirigió su propio Teatro Experimental, actuó ella misma, tradujo y escribió obras que abordan cuestiones de género y de mujeres. Cuando decidió dirigir y montar Top Girls (1983) de Caryl Churchill, en una traducción de Marlena Georgiadi, apareció en los titulares provocando un acalorado debate. El estudio muestra que tanto Rialde como Georgiadi vieron la traducción teatral como una praxis social, política y activista. En una primera exploración de los elementos paratextuales y de la recepción crítica de esta traducción y puesta en escena griega de Top Girls, este artículo tiene como objetivo discutir la contribución de la traducción teatral en Grecia para poner el feminismo en la agenda pública y generar conciencia en la búsqueda de la equidad en un panorama social cambiante.
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