Traduire une chanson de comédie musicale ou la nécessité d’être fidèlement flexible et flexiblement fidèle
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Bien qu’ayant reçu davantage d’attention depuis le début des années 2000, la traduction de textes destinés à être chantés reste un domaine peu étudié en traductologie. La traduction de chansons de comédie musicale ne fait pas exception à la règle puisqu’elle est souvent laissée de côté, contrairement à la traduction de chants d’opéra ou de chansons de variété. De ce constat est né notre souhait de créer ce que nous appelons le New Pentathlon Tool, un outil tant analytique que d’aide à la traduction qui s’inspire du Pentathlon Principle de Peter Low et qui s’articule autour des notions de fidélité et de flexibilité, deux notions étroitement liées qui, en traduction de chansons, sont loin de s’exclure mutuellement.
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