Observe, touch, measure and describe the relevance of the Museum in the experimental development of Science and History
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Abstract
This paper is based on a reflection on the origin and evolution of museums throughout History. It argues that museums do not necessarily result from a linear evolution from Chambers of Wonders to National Museums, but are the result of a broad competition, between different political entities and different epistemological projects. On the one hand, the evolution of science and the development of Christian theology after the Protestant Reformation combined in a fascination for the accumulation and description of objects. On the other hand, the transformation of History and Archaeology itself, as material culture-driven disciplines, fuelled a scientific conception of the Museum. The paper identifies a fundamental line of the rise of the Museum: the protection of objects/relics, not only as a memory of the past, but as a bridge between the past and the future, where the new, the unknown, other cultures, and new artistic creations constantly expanded the conceptual universe of the Humanities.
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