Museums, Exhibition Discourses and Conflicts in Vietnam

Main Article Content

Cristina Nualart

Abstract

Since its inception, the history of the museum as an institution has manifested various displays of power that have caused museums themselves to become pawns in the game of persuasive dynamics so typical of soft power. This article introduces the transformations in the use of museums as an indoctrinating tool that have taken place in Vietnam since it was a colonized country, during war conflicts, and up to the present moment marked by an authoritarian government and a weak civil society

Downloads

Download data is not yet available.

Article Details

How to Cite
Nualart, C. (2022). Museums, Exhibition Discourses and Conflicts in Vietnam. Diferents. Revista De Museus, (7), 70–87. https://doi.org/10.6035/diferents.6681
Section
Articles
Author Biography

Cristina Nualart, Arts & Humanities Division, IE University, Madrid

Professor of Arts and Humanities. Doctor of Art History, she directs her research towards contemporary art and feminist artistic practices. She is a member of the Asia GIA Research Group and a researcher in the VASDiV (Visual Activism and Sexual Diversity in Vietnam) project, funded by the UK’s Arts and Humanities Research Council (AHRC). Of her six years of activity in South East Asia, she is noted for her work in Vietnam, as a lecturer at the Australian Royal Melbourne Institute of Technology (RMIT), and as an author for magazines and art galleries in Ho Chi Minh City and Hanoi. In Spain she has been a guest teacher at the summer courses on Oriental Art at the University of Zaragoza, and has created specialized courses for Casa Asia.

References

Agent Orange Record, Disponible en https://agentorangerecord.com/why-agent-orange/ [Fecha de consulta 12 junio 2022].

BASS, Thomas A. (2017) Censorship in Vietnam: Brave New World, Amherst y Boston: University of Massachusetts Press.

BIGGS, David (2018) «Following Dioxin’s Drift: Agent Orange Stories and the Challenge of Metabolic History», International Review of Environmental History, 4(1): 7-31. Disponible en doi.org/10.22459/IREH.04.01.2018.03 [Fecha de consulta 30/08/2021].

BODEMER, Margaret Barnhill (2010) Museums, Ethnology and the Politics of Culture in Contemporary Vietnam, tesis doctoral, Manoa y Honolulu: Universidad de Hawaii.

BUTT, Zoe (2012) «Xe Om Drivers of the Mind: The Journey of Sàn Art», en: DIQUINZIO, Apsara (ed.), Six Lines of Flight: Shifting Geographies in Contemporary Art. San Francisco y Berkeley: San Francisco Museum of Modern Art y University of California Press, 128-137.

ĐO, Quoc Viet y NGUYEN Thi Thu Huong (2015) «Un musée et des collections vietnamiennes en contexte de mondialisation», en: HERBELIN, C., WISNIEWSKI, B. y DALEX, F. (eds.), Arts du Vietnam. Nouvelles approaches, Rennes: Presses Universitaires de Rennes, 217-222.

DRUMMOND, Lisa y RYDSTROM, Helle (eds.) (2004) Gender Practices in Contemporary Vietnam. Singapur: NIAS Press.

GIEBEL, Christoph (2001) «Revolution and Its Tutelary Spirit in the Village of My Hoa Hung», en: en: TAI, Hue-Tam Ho (ed.) The Country of Memory: Remaking the Past in Late Socialist Vietnam, Berkeley: University of California Press, 77-105.

GILLEN, Jamie (2014) «Tourism and Nation Building at the War Remnants Museum in Ho Chi Minh City, Vietnam», Annals of the Association of American Geographers 104(6): 1307-1321.

KENNEDY, Laurel B. y WILLIAMS, Mary Rose (2001) «The Past without the Pain. The Manufacture of Nostalgia in Vietnam's Tourism Industry», en: TAI, Hue-Tam Ho (ed.) The Country of Memory: Remaking the Past in Late Socialist Vietnam, Berkeley: University of California Press, 135-163.

LÊ Quang Ninh y DOVERT, Stéphane (eds.) (1998) Saigon Architectures 1698-1998, Ciudad Ho Chi Minh: Nhà xuá̂t bản.

LENZI, Iola (2004) Museums of Southeast Asia, Singapur: Archipelago Press.

LESHKOWICH, A. M. (2012) «Finances, Family, Fashion, Fitness, and. . . Freedom? The Changing Lives of Urban Middle-Class Vietnamese Women», en: NGUYEN-MARSHALL, V., DRUMMOND, L. and BÉLANGER, D. (eds.) The Reinvention of Distinction. Modernity and the Middle Class in Urban Vietnam. Dortmund: Springer.

MARCHANT, Fred (1995) «The War Crimes Museum in Ho Chi Minh City», Peacework 249: 18.

NGUYEN Thi Thu Huong (2012) «Art in the Rotunda: The Cham Collection at the National Museum of Vietnamese History», Curator 55(1): 81-93.

NUALART, Cristina (2022) «Dibujar en idiomas. Visualizar la colonización lingüística en el Sudeste Asiático», Signa 31: 611-631. Disponible en: http://revistas.uned.es/index.php/signa/article/view/29510 [Fecha de consulta 30/02/2022].

PETTUS, Ashley (2003): Between Sacrifice and Desire: National Identity and the Governing of Femininity in Vietnam. Nueva York: Routledge.

RADULOVIC, Veronika y BHAGWATI, Annette (eds.) (2021) Don’t Call it Art. Contemporary Art in Vietnam 1993-1999, Berlin: Kerber.

TAI, Hue-Tam Ho (1998) «Representing the Past in Vietnamese Museums», Curator 41(3): 187-199.

TAI, Hue-Tam Ho (2001) The Country of Memory. Remaking the Past in Late Socialist Vietnam, Berkeley: University of California Press.

«The fine art of museum management», en VietNamNet. Disponible en https://vietnamnet.vn/en/the-fine-art-of-museum-management-E131167.html [Fecha de consulta 22 junio 2020].