Fido Guido: postmodernismo y glocalismo en la música vernácula reggae-raggamuffin de Italia meridional
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Abstract
En este artículo analizaré las características de la música de Fido Guido, un cantante alternativo de música reggae-raggamuffin de Taranto (Italia meridional), en los términos de una metaforización cognitiva y cultural que permite a una zona del sur de Italia «ser imaginada» como una Jamaica. Finalmente analizaré la identidad resultante de la mezcla de elementos simbólicos espacio temporalmente cercanos y lejanos.
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Screti Galatone, F. (2013). Fido Guido: postmodernismo y glocalismo en la música vernácula reggae-raggamuffin de Italia meridional. Culture, Language and Representation, 11, 125–143. Retrieved from https://www.e-revistes.uji.es/index.php/clr/article/view/1034
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