Augmented irreality: myth, political art and the spectator The myth, political art and the spectator

Main Article Content

Quim Bonastra
https://orcid.org/0000-0002-4717-8450
Joan Deulofeu
Ana María Álvarez
Enrique Baeza

Abstract

Based on the collaborative art project in the Augmented Irreality public space, carried out by MITO Collective during the Covid-19 pandemic, as members of the artistic collective we ask ourselves questions that help us think theoretically and speculate about the notion of myth that lies in the origins of our project and how this notion, applied to the pandemic, is productive in defining a political art and a community and a spectator that emerge as a political subject.

Downloads

Download data is not yet available.

Article Details

How to Cite
Bonastra, Quim, Joan Deulofeu, Ana María Álvarez, and Enrique Baeza. 2021. “Augmented Irreality: Myth, Political Art and the Spectator: The Myth, Political Art and the Spectator”. Kult-ur 8 (16). https://doi.org/10.6035/kult-ur.5985.
Section
Àgora

References

Baricco, Alessandro. 2021. Lo que estábamos buscando. De la pandemia como criatura mítica. Barcelona: Anagrama.

Fontdevila, Oriol. 2018. El arte de la mediación. Bilbao: Consonni.

Gell, Alfred. 1998. Art and Agency. Oxford: Clarendon Press.

Hardt, Michael; Negri, Antonio. 2005. Imperio. Barcelona: Paidós.

Harman, Graham. 2020. Art + Objects. Cambridge: Polity Press.

Hersch, Jeanne. 2013. Tiempo y música. Barcelona: Acantilado.

Ingold, Tim 2017. The art of paying attention. Keynote leída en Art of Research Conference 2017: Art as a catalyst!. Helsinki: Aalto University school of arts, design and architecture. [Disponible en http://artofresearch2017.aalto.fi/keynotes.html]

Latour, Bruno. 2008. Reensamblar lo social. Una introducción a la teoría del actor-red. Buenos Aires: Manantial.

Lehman, Joseph G. 2010. An introduction to the Overton window of political possibility. En Mackinac Center for Public Policy, publicado el 08/04/2010. [Disponible en https://www.mackinac.org/12481]

Ortega y Gasset, José 2009 [1925]. Ensayo de estética a manera de prólogo. En La deshumanización del arte de José Ortega y Gasset. Madrid: Alianza Editorial. pp.152–174.

O’Sullivan, Simon. 2006. Art encounters Deleuze and Guattari. Though Beyond Representation. New York: Plagrave Macmillan

Preciado, Paul. 2020. Yo soy el monstruo que os habla. Barcelona: Anagrama.

Rancière, Jacques. 2003. El maestro ignorante. Cinco lecciones sobre la emancipación intelectual. Barcelona: Laertes.

Rancière, Jacques. 2008. El espectador emancipado. Castellón: Ellago Ediciones.

Sanchiz, Ramiro. 2019. Glosario hipersticional. En Nick Land, Flanged Noumena vol. 1. Barcelona: Holobionte Ediciones.

Srnicek, Nick; William, Alex. 2018. Reinventar el futuro. Postcapitalismo y un mundo sin trabajo. Barcelona: Malpaso.

Stengers, Isabelle. 2018. Another Science is possible. A manifesto for slow science. Cambridge: Polity Press.

Wright, Stephen. 2013. Toward a lexicon of usership. Eindhoven: Van Abbemuseum. [Disponible en

https://museumarteutil.net/wp-content/uploads/2013/12/Toward-a-lexicon-of-usership.pdf]