Heritage, memory and landscape at the Musée d'Art Contemporain de la Haute-Vienne, Château de Rochechouart

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Inmaculada Real López

Abstract

In this article, we analyze the Musée d’Art Contemporain de la Haute-Vienne, which is unique in that it is located in the Château de Rochechouart, a medieval building perched on a rocky promontory. Built in the 10th century, it has served multiple functions since coming into public ownership in the 19th century. Since 1985, it has housed the departmental museum of contemporary art for the Haute-Vienne region. In this institution, the collection connects with the historic building while connecting with a privileged natural setting. This museum emerged within the framework of the decentralization policies of the French Ministry of Culture and the incentive for the emergence of art centers throughout the French provinces, thanks to financial support from the State. The objective of this study is to analyze how the fundamental pillars of this project, which has heritage, landscape, and memorial value, are introduced, since the building was not only a witness to history but also a protagonist, after being looted during the French Revolution and housing the collection of Raoul Haussmann, the most represented artist in the collection, who found refuge in this department during his German exile.

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How to Cite
Real López, I. (2025). Heritage, memory and landscape at the Musée d’Art Contemporain de la Haute-Vienne, Château de Rochechouart. Diferents. Revista De Museus, 10(10), 8–23. https://doi.org/10.6035/diferents.8807
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Author Biography

Inmaculada Real López, Universidad Complutense de Madrid

Assistant Lecturer in the Department of Art History at the Complutense University of Madrid, and assistant coordinator of the Master's Degree in Advanced Studies in Museums and Historical-Artistic Heritage at the Faculty of Geography and History of the UCM. Previously, she was a research lecturer at the University of Rouen Normandy; a Juan de la Cierva-Incorporación postdoctoral researcher in the Department of Art History at the University of Zaragoza; and a member of the University Institute for Heritage and Humanities Research at UNIZAR.

She is the principal investigator for the following projects: Un tejido museístico para la recuperación democrática española (A museum network for Spanish democratic recovery), funded by the Ministry of Science, Innovation, and Universities (2024-2027); Hacia la democratización del patrimonio memorial en los museos de la sociedad actual (Towards the democratization of memorial heritage in museums in today's society), funded by the Ministry of Science, Innovation, and Universities (2025-2027); El arte del exilio en Toulouse. Construcción de puentes memoriales entre España y Francia (The art of exile in Toulouse. Building Memorial Bridges between Spain and France), Ministry of Science, Innovation, and Universities – ʻJosé Castillejoʼ Mobility Grant (2025); Visibilizando a Roser Bru y Elvira Gascón, artistas en pro de la justicia social (Visibility for Roser Bru and Elvira Gascón, Artists for Social Justice), Ministry of Equality (2025). She is also an art critic, museologist, and exhibition curator, most recently: Texto e imagen, simbiosis perfecta. José García Tella a través de su archivo personal (Text and Image, Perfect Symbiosis. José García Tella through his personal archive) at the Reina Sofía National Art Museum (2024) and Artistas españoles en París, desde la crítica exílica de García Tella (Spanish Artists in Paris, from García Tella's exilic criticism) at the Vicente Aguilera Cerni Museum of Contemporary Art in Vilafamés (MACVAC) (2025). She is also the author of several monographs, such as Goya: valor y símbolo del exilio republicano español (Goya: value and symbol of Spanish Republican exile) (2022) and Los otros Guernicas (The other Guernicas) (2024), and editor of Exposiciones para la reconstrucción de la memoria (Exhibitions for the reconstruction of memory) (2023), Museos para la democracia sociocultural (Museums for sociocultural democracy) (2025) and Musealizar el arte del exilio gallego (Musealizing the art of Galician exile) (2025).

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