Discursive Trends: forms of collaborative film production, communication and participatory practices on internet

Abstract

This article analyses the trends related to discursive forms of collaborative networked production and collective image. The article develops two lines organized as follows. Background, practices of collaborative film production (Collaborative production as film-making process) collaborative audiovisual production and experience, in order to set a critical social imaginary. The article collects draws on a serie of case studies that argues the emergence of experiences and practices of collaborative production imbricated with physical and virtual communities such as Cinema Non-Authorship, Remapping Europe and Long Short Story. These collaborative practices may lead to the creation of counter-hegemonic discourses on agency and the construction of representations as part of processes of democratic participation and social justice. Similarly, the article proposes the exploration of new collaborative discursive strategies related to participatory formats in the context of communicative action and collaborative media art.