LEPAGE, Louise. Posthuman Perspectives and Postdramatic Theatre: the Theory and Practice of Hybrid Ontology in Katie Mitchell’s The Waves. Cultura, Lenguaje y Representación, [S. l.], v. 6, p. 137–149, 2009. Disponível em: https://www.e-revistes.uji.es/index.php/clr/article/view/47. Acesso em: 16 may. 2024.