| La intermedialidad / Intermediality |
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Guest Editor / Editora invitada Freda Chapple |
1-179 |
| Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships |
Resumen
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Chiel Kattenbelt |
19-29 |
| F@ust vers. 3.0: A (Hi)story of Theatre and Media |
Resumen
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Kati Röttger |
31-46 |
| Beyond Performance Studies: Mediated Performance and the Posthuman |
Resumen
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Ralf Remshardt |
47-64 |
| Towards Intermediality in Contemporary Cultural Practices and Education |
Resumen
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Asunción López-Varela Azcárate, Steven Tötösy de Zepetnek |
65-82 |
| Remediation of Moving Bodies: Aesthetic Perceptions of a Live, Digitised and Animated Dance Performance |
Resumen
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Pauline Brooks |
85-99 |
| Convergence and Creativity in Telematic Performance: The Adding Machine |
Resumen
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George H. Brown, Gerhard Hauck |
101-119 |
| From Intermedial Music to Interactive Multimedia Event: the Performance of Ravel’s Miroirs |
Resumen
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Emilie Crapoulet |
121-136 |
| Posthuman Perspectives and Postdramatic Theatre: the Theory and Practice of Hybrid Ontology in Katie Mitchell’s The Waves |
Resumen
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Louise Lepage |
137-149 |
| Bound to Honour: the Detention of David Hicks as Performance |
Resumen
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Sandra Gattenhof |
151-157 |
| Black to White: the Fading Process of Intermediality in the Gallery Space |
Resumen
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Karen Savage |
159-170 |